Michael Hope’s Late Night Lineup
https://www.sporfestival.dk/events/late-night-lineup
Performance by : Michael Hope & K!ART
Late-Night Lineup is a new music concert in a completely unexpected format: A late-night talk show – hosted by composer Michael Hope. Through interviews and monologues, battles and challenges, we will gain new perspectives on the tropes and our expectations of the new music concert experience.
Performing Wicked Problems – Laura Bowler, Oxymoron – Helmut Oehring and In a Large, Open Space by James Tenney with the United Instruments of Lucillin
PLASTIC BODIES: darkly funny experimental music theatre for the #metoo era.
How does an industry so obsessed with the voice leave its performers without one?
Flipping between live game-play, film, movement, electronics, and the rehearsal room, PLASTIC BODIES peels back the curtain on hidden abuse in the opera industry. Following rave reviews at their 2023 double bill (‘FIVE STARS’ – Opera Now; ‘Revelatory’ – TLS), PLASTIC BODIES returns to Tête-à-Tête with a full-length showdown you won’t want to miss.
Solo vocalist performing new works by Mees Vervuurt, Anais-Nour Benchlahab and Claire Hu with Ensemble Orbis.
A new community opera exploring the legend of accused witch Molly Leigh at B.ARTS in Stoke in July 2025
Through immersive music and storytelling, we will explore local history from the perspective of women and those excluded by society for being ‘different’ to find out, “Who is Molly Leigh?”
Composed and Written by Francesca Le Lohe and Gareth Mattey, the opera is creatively produced by B.ARTS and co-created with members of the local community.
B.ARTS, 64-72 Hartshill Road, Stoke, ST4 7RB
Tickets are “Pay what you can”.
Get your tickets now – ticketsource.co.uk/b-arts
This is an immersive, promenade piece where audiences choose their own route through the opera.
Delighted to jump-in for the final concert at Podium Festival 2025. Conducted by Vimbayi Kaziboni, and with large festival ensemble.
Louis Andriessen – De Staat
Zara Ali/Anais Clerk – GOSCH
A poetic and intricate listening experience that sees the award-winning artist collaborate with an AI machine to explore the complexity of human and animal relationships.
Award-winning artist Melanie Wilson collaborates with an AI machine learning tool to explore the conflicted terrain of human and animal relationships through sound.
This poetic, intricate listening experience weaves together language, multi-part vocal composition, field recording and electronic sound to map the fragmentary experience of the biodiversity crisis with kaleidoscopic force.
Created using endangered animal voices from the UK and beyond, the score was developed through a five-year research process into machine learning for composition, supported by PRiSM, The Centre for Practice and Research in Science and Music, at the Royal Northern College of Music.
Oracle Song seeks to take the audience from a place of climate anxiety and grief into a shared landscape of listening and connection.
TATE MODERN
JAMES RICHARDS
WITH SARAH DACEY